“stills from any film give a very incomplete picture of what the actual viewing experience, and this is particularly true of brakhage films. the perceived imagery in brakhage’s work depends very much on movement and montage, to the extent that some things a viewer is convinced are contained in a single image are in fact only the product of movements within a shot, or/and of juxtapositions from shot to shot. still, i’ve attempted to select strips and individual frames that suggest the aesthetic of each film.” – fred camper
20/08/2012 § Leave a comment
fred camper’s collage of stan brakhage filmstrips from the film mothlight (1963)
one of brakhage’s best-known films, mothlight was created without the use of a camera by simply pressing moth wings, leaves, and other organic objects between two strips of mylar tape and then rephotographing it by running it through an optical printer. 1963, 16mm, 4 minutes.
– via wac
a young hare
[title] the title comes from fred camper’s webpage full of stan brakhage film stills.
[image] i originally came across the above image on the walker art center’s website announcing an evening of stan brakhage films. though this morning i can attribute this beautiful image to the efforts of fred camper. please visit his site for more information.
[more brakhage inspired work] this morning’s post covered the work of cameron gainer, whose work has been influenced by stan brakhage.